{"product_id":"vintage-costume-jewelry-guy-laroche-necklace-faun","title":"Vintage Costume Jewelry | Guy Laroche – Necklace Faun","description":"\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\" data-pm-slice=\"1 1 []\"\u003eGuy Laroche (1921 – 1989)\u003cbr\u003eLong necklace with pendant of a faun (or the shepherd god Pan), white cast metal\u003cbr\u003ecirca 1970\/80\u003cbr\u003esigned Guy Laroche Paris\u003cbr\u003e\u003cbr\u003eLaroche was born in La Rochelle to a Tunisian Jewish family, and began his career in millinery. From 1949, Laroche worked for Jean Dessès, eventually becoming his assistant. In 1955, he visited the U.S. to investigate new ready-to-wear manufacturing methods. In 1956 or 1957, he founded a high-fashion atelier at 37 Avenue Franklin Roosevelt, Paris.\u003c\/p\u003e\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eHis first collection was favorably received, and within it he reintroduced vibrant colors such as pink, orange, coral, topaz, and turquoise. His clothes also featured plunging neck and back lines. Traditional elegant color combinations remained a staple in his designs as well. He cited Christian Dior, Cristobal Balenciaga, Jacques Fath and Pierre Balmain as his main influences.\u003c\/p\u003e\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eKnown as being humble and gracious—as opposed to the aloof nature of most Parisian designers—he designed haute-couture, but practical clothing for women. \u003c\/p\u003e\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eIn 1961, he moved to larger quarters in a townhouse at 29 Avenue Montaigne, Paris, opened a boutique there, and introduced his first ready-to-wear collection. In 1966, Laroche launched men`s ready-to-wear, and opened the Guy Laroche Monsieur boutique.\u003c\/p\u003e\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003ca href=\"https:\/\/www.worthpoint.com\/worthopedia\/alice-caviness-sterling-silver-2007215366\"\u003e\u003cbr\u003e\u003c\/a\u003e\u003cu\u003eAbout Vintage Costume Jewelry\u003c\/u\u003e: \u003cbr\u003e\u003cbr\u003eCostume jewelry– also known as \u003cem\u003eFashion Jewelry\u003c\/em\u003e– was especially made popular in the mid-20th century. While their materials were less precious than real gold and diamonds, using glass stones, semi-precicious stones and lead and brass, many big fashion houses and designers produced highly complex pieces of jewelry that stand for craftmanship that today can only be found in so-called \u003cem\u003eHaute Joaillerie. \u003c\/em\u003eMost famously, Coco Chanel popularized the use of “faux jewelry”, bringing costume jewelry to  life with gold and faux pearls. Chanel`s designs drew from various  historical styles, including Byzantine and Renaissance  influences, often featuring crosses and intricate metalwork. Her  collaboration with glassmakers, such as the Gripoix family (Maison Gripoix), introduced  richly colored glass beads and simulated gemstones, which added depth to  her creations without the high cost of traditional precious stones.\u003c\/p\u003e\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eElsa Schiaparelli– Chanel’s lifelong rival– brought surrealist influences into costume jewelry design, famously collaborating with Salvador Dalí and Jean Cocteau. She created the \u003cem\u003eHouse of Schiaparelli \u003c\/em\u003ein Paris in 1927, celebrating Surrealism and eccentric fashions. Her collections were famous for unconventional and artistic themes like the human body, insects, or trompe-l`œil, and for the use of bright colors like her \"shocking pink\". While Schiaparelli had to close her avant-garde business in the late 1950s and was forgotten for decades, her designs have recently been rediscovered and are celebrated for their bold design. \u003cbr\u003e\u003cbr\u003eIn many instances, high-end custome jewelry has achieved a  \"collectible\" status and increased value over time. Today, there is a  substantial secondary market for vintage  fashion jewelry. The main collecting market is for `signed pieces`,  which have the maker`s mark, usually stamped on the reverse. Amongst the  most sought after are Miriam Haskell, Sherman, Coro,  Butler and Wilson, Crown Trifari, and Sphinx. \u003cbr\u003e\u003cbr\u003eThe term signed however is an invention that only reached European production in the late 1950s- when American buyers started to ask for authentification to distinguish high class designers from mass-produced pieces, while in Europe all costume jewelry had been issued by the fashion houses themselves and hence remained somewhat exclusive from the start. \u003cbr\u003e\u003c\/p\u003e\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Vintage Costume Jewelry","offers":[{"title":"Stück","offer_id":57261524418937,"sku":null,"price":590.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0981\/4510\/8345\/files\/vintage-costume-jewelry-guy-laroche-necklace-faun-vintage-costume-jewelry-jewelry-import-817-3829-2.jpg?v=1778662634","url":"https:\/\/saalhof1123.com\/products\/vintage-costume-jewelry-guy-laroche-necklace-faun","provider":"SAALHOF 1123","version":"1.0","type":"link"}